Self-proclaimed materialist theologian Ian Nutting performs an exegesis on what he considers the greatest film of all time.
Doctoral student Ian Nutting discusses the scars that so many academics carry from the relentless, résumé-building mad scientist laboratory that is academia.
In critiquing art's power to enact historical change, Ian Nutting finds messianic hope in a radical re-conceptualization of art itself.
In this insufferable, sardonic jaunt through ethnography and speculative phenomenology, Ian Nutting critiques our modern understanding of selfhood and ponders art's power to transform our selves and our context.
In this precursor article, Ian Nutting proposes Žižekian non-doing as a response to politics-as-art-object — and as an antidote to the ceaseless hustle in which we live.
Ian Nutting muses poetically and philosophically on the potential of music in our current society.
