Mona Sangesland takes a personal journey through the musical and environmental landscapes of Chile.
Collective editors Dani and Elisa talk with actress-in-recovery Evalena Marie about industry toxicity, mental health, and re-finding herself through her art.
Musicologist Tori Tyler engages Euseni Eugene Perkins' poem "Hey Black Child" to grapple with experiences of imposter syndrome
Harpist Molly O'Roark confronts the double-edged s-word "success," guiding performing artists to rethink and redefine what it means to build a successful artistic life.
Harpist Noël Wan considers her hopes and responsibilities as she accepts a new position in academia.
New-music vocalist Ann Moss chronicles her way through a year of nomadic album-making, sharing her realizations on fulfillment, collaboration, and flexibility in an artistic life.
In what he calls a "mental unload for [his] own sanity," film composer/editor and Academy Award winner John Ottman passionately defends voter rights against an unprecedented far-right American voter suppression stratagem, all framed within the context of the 2022 film "Don't Look
In this precursor article, Ian Nutting proposes Žižekian non-doing as a response to politics-as-art-object — and as an antidote to the ceaseless hustle in which we live.
Jill Burlingame Tsekouras dissects how the Alexander Technique can help us create change in ourselves, our lives, and our worldviews.
